Only a few days left in the year, and it's still hard to believe. 2008 really flew, and the ten albums that were its soundtrack, for me, are
recapped for all over at
Bullz Eye. For the lazy, I have reprinted all but my intro paragraph below:
1. The Parson Red Heads: Owl & Timber (EP)There’s a timelessness to the sound and the vibe of the Parson Red Heads that’s beyond explanation. You can single out the familial harmonies, the guitar interplay that recalls the Byrds and the Dead, the irresistibly solid pop songs, or their flowery evocation of a bygone era. But when it comes down to it, this band’s music simply feels good. No other band has released music this irresistible and uplifting in years, and only a select lucky few up and down the West Coast have had the luxury of being able to see and hear them live. With a little luck, this may change, and we’ll be able to look back at
Owl & Timber as one of the elements that made it happen.
2. Brian Wilson: That Lucky Old SunFollowing up the 37-years-late
Smile with another similarly built song cycle seemed like little more than a fantasy in 2004. But here we are in 2008, and Brian Wilson pulled it off. Mike Love would be proud to hear that there’s only one “downer” on the album (the beautiful, Pet Sounds-worthy “Midnight’s Another Day”), while all the rest are upbeat, aural murals depicting the sunny side of Southern California. It’s Brian doing what he does best, and outside of
Smile, it’s easily his best, most enjoyable solo work.
3. Bob Dylan: Tell Tale Signs: The Bootleg Series Vol. 8Technically,
Tell Tale Signs is an archival release, but the recent vintage of the material (1989 through 2006), the abundance of never-before-heard songs, and the fact that most of it was recorded during the same period in which Guns n’ Roses’ 14-years-late
Chinese Democracy gestated, qualifies it as new. And even if it didn’t qualify, it would still be listed here, since it does as good a job (if not better) as any of his last three records of proving that, even in his old age, Dylan has lost none of his power to inspire, confound, delight and move his audience.
4. The Gutter Twins: SaturnaliaMark Lanegan and Greg Dulli have collaborated in the past on a few tracks from Greg’s Twilight Singers albums, and while those duets were pretty good, they were never major stand-outs. Not until the two covered Massive Attack’s “Live with Me” on last year’s
A Stitch in Time EP, anyway. As good as that cover was, this full album of originals by Greg and Mark is even better. Dulli stretches himself here, eschewing his usual rockin’ R&B swagger and falling under Lanegan’s dark, spiritual influence.
5. Chris Robley & The Fear of Heights: Movie Theatre HaikuThat straight-laced dude from Portland with the Harry Nilsson fixation strikes again, this time crediting his road band and turning in an even more confident record than last year’s
The Drunken Dance of Modern Man in Love. If the 1966 Beatles were a young band today, they’d likely be playing songs like Robley’s “User-Friendly Guide to Change.”
6. Joseph Arthur: Vagabond Skies (EP)Of the four EPs and full-length album Joseph Arthur released this year, Vagabond Skies rises to the top not only for bearing some of his most captivating and ethereal songs, but also for containing the year’s most memorable guitar solo, in the EP’s centerpiece “She Paints Me Gold.” Plus, the cover art is damn cool.
7. The Happy Hollows: Imaginary (EP)They’re funny, they’re smart, they’re tight as a conservative’s behind, and they’re the most exciting live indie rock band in L.A. right now. Imaginary is just a short burst of five songs, but what a burst it is – from the simple exclamatory chant of “Colors” to the almost prog-like tour-de-force of “Lieutenant” with singer/guitarist Sarah Negahdari’s Eddie Van Halen-esque guitar tapping, Imaginary tantalizes and teases, just like you want it to.
8. Guns n’ Roses: Chinese DemocracyYes, it’s bloated and overproduced. No, it’s not the old, sleazy Guns n’ Roses of the late ‘80s. Yes, it should have been out ten years ago, and would have sounded even more contemporary in 1998 than in 2008. But Axl Rose is still the king of tortured, overwrought power ballads and menacing rock n’ roll screams, and on these counts,
Chinese Democracy more than delivers – it beats you over the head with its twisted logic.
9. Metallica: Death MagneticMetallica sounds like Metallica again! It may be clichéd to say this is their best album since
…And Justice for All, but it’s true, and it bears repeating:
Death Magnetic is Metallica’s best album since
Justice.
10. My Morning Jacket: Evil UrgesEvil Urges goes to great lengths to prove that My Morning Jacket is no typical southern jam band. Not that they ever needed to go so far as to throw some Prince-like falsetto singing and funky R&B into the mix, but as it turns out, it sounds pretty cool.
Honorable mentions:The Fireman:
Electric ArgumentsRachel Taylor Brown:
Half Hours with the Lower CreaturesVampire Weekend:
Vampire WeekendPortishead:
ThirdNeil Diamond:
Home Before DarkJuliana Hatfield:
How to Walk AwayRandy Newman:
Harps and AngelsDeerhoof:
Offend MaggieIsobel Campbell & Mark Lanegan:
Sunday at Devil Dirt
It was the need to present an acoustic side of Eli and Mary Chartkoff’s music that caused the Cobra Lilies to form. And the band from which they came, the Monolators, embodies much of that same, fun loving spirit – with louder, faster, noisier electric guitars. This true-to-life garage band impressed me with a thread that continued through our most recent meeting, one that is common to every long-lasting and worthwhile rock n’ roll band in existence. It’s a thread we call persistence.
